Mischievous voice-over
It all comes down to the punchline
I’m Estelle Hubert, a native French voice over artist. An ad that dares to be funny, a double meaning, a playful brand: in a mischievous voice-over, I keep a sly smile and set up the punchline so it lands.
Mischievous voice-over demos
A crooked smile
Boursin and Club Med in English, Abrimmo, Teisseire, Booking.com, Indeed and my witches: hear that mischief from one brand to the next, then keep your favourites for your project.
9 mischievous voice-over demos
My English versions
English with a French accent and a mischievous tone
English with a French accent and a knowing tone
English with a French accent
Explore this tone in The Booth all my demos filtered on this tone, to refine by project or language
When to choose a mischievous voice-over
When your script has a double meaning
Your spot has a punchline
A reveal in the last second, a pun: I hold back just before, and the punchline hits home.
Your brand likes to play
A playful tone, a wink shared with your audience: the mischief comes through without overdoing it.
Related tones
- Bubblywhen the product mostly calls for freshness and indulgence
- Upbeatwhen good humour matters more than cunning
- Reassuringwhen your message must first inspire trust
This tone across my specialties
How I play mischief
Hold back, then surprise
A hidden smile
The smile stays discreet: you sense it in the voice more than you hear it.
Holding back before the punchline
A beat just before the word that matters: your audience feels it coming, then the punchline lands.
A hint of cunning
An intonation that says a little more than the script, without an overdone wink.
When your direction is precise, I follow it. When you are still looking for the tone, I let you hear different readings, warmer, livelier or calmer: together we choose what serves your message.
Your project, in a mischievous voice
Let’s talk it through
Send me an excerpt: you’ll hear your punchline land where it should.
From my recording studio, with you throughout your projects.